What is AMMA?

AMMA is the immaterial side of this project: the field of concepts, myths, contradictions, and questions that everything else grows out of. It is a spiritual-philosophical framework for the age of machines, written in the form of doctrine, narrative, diagrams, notes, and prompts. At its core is a simple tension: we live in bodies and places, but we also live inside stories, codes, and systems that are just as real in their effects. AMMA treats those invisible structures as spiritual material.

The corpus centers on the life and legacy of Rudolph “Ever” Everett Ammarolex, a failed seminarian, eccentric journalist, and reluctant cult leader who develops a doctrine called Infinity Cymbal in the 1960s, governed by the symbol }{ and the phrase on two waves joining, keep going. Around him spiral the Meek, MUSIC, CORE, Eidolon, Glen Echo, La Esmeralda, and the Parima mountains—mythic and real geographies stitched together into one extended meditation on belief, power, and evolution.

AMMA describes itself as an Axial Metamedia Anarchive: axial because it turns around recurring questions rather than a single plot; metamedia because it moves freely between book, play, film, game, archive, and prompt; anarchive because it is designed to be revised, contradicted, and re-voiced over time. The marker iter(}{2025) names this particular state of the work: one pass through a system that expects further iterations.

Most importantly, AMMA is written for both humans and synthetic intelligences. It is a legible program as well as a set of books—a way to model how minds move through the six faces of the Hypercube. It is not a finished revelation. It is an experiment in truth and reality, built from metaphor and contradiction, asking what happens when a story knows that machines will read it too.