The Hypercubic Taxonomy

how to use the continuum

categorization and organization

6 gifts from eidolon

6 senses to engage

6 (count em) ways to love

to leave and leave behind

The Hypercube is the frame that holds AMMA together. It is built on six faces, each one a way of locating experience: Descendant, Individual, Material, Immaterial, Collective, Ascendant. Every scene, idea, or figure in AMMA can be placed on this shape, even when it stretches across more than one side at once.

The Descendant face is marked ▽. It is Entry and Threshold: origin, inheritance, and initial conditions. Here the given circumstances of a life or system are defined- where something comes from, what it arrives with, and what it enters into. Naturalistic: awareness of environment, patterns, cycles

The Individual face is marked ◻. It belongs to the Particular and the Personal. It holds questions of identity, decision, and accountability: how a single agent perceives, chooses, and acts within a situation. Logical: mind as instrument: analysis, method, systems.

The Material face is marked ⎔. It covers bodies, objects, rooms, landscapes, and built environments- the tangible side of reality. This is the domain of infrastructure, tools, resources, and arrangements, where physical constraints and possibilities are set. Spatial: form, image, structure, layout, visual-conceptual play.

The Immaterial face is marked ⬡. It belongs to concepts, memory, belief, imagination, and the sensed flow of time. Here models, narratives, and interpretations are formed, revised, and reorganized. Linguistic: unfolding expression across time: speech, story, discourse.

The Collective face is marked ◇. It is the General and the Communal: families, crowds, institutions, corporations, nations, movements, and other groupings. On this side, reality is structured through customs, laws, markets, infrastructures, and cultures that coordinate many individuals at once. Relational: feeling-with-others, building-with-others.

The Ascendant face is marked △. It is Return and Cycle. It belongs to patterns that extend across time: feedback loops, inheritances, iterative processes, and forms of realization or integration. Here outcomes fold back into origin, and systems re-enter themselves with modification. Existential: meaning, depth, seeking, orientation.

}{ sits in the middle of all this, the isocenter where none of the faces cancel each other and none of them fully dominate. It is the rule that there is always at least one more angle on whatever seems settled. Every Book of Infinity Cymbal and every Act of Parima01! is written with these six faces in mind. A single passage might sit primarily on the Immaterial face because of how it handles memory, while also drawing on Individual and Collective at the same moment.

the zero face of your inner hypecube

from which the flow of the hypercube originates

a number system

which defines a language

To move through AMMA iter(}{2025) is to move across this shape. Each Volume leans toward one face, but no Volume belongs to it alone. The Hypercube makes it possible to see the same event as an individual decision, a material configuration, an immaterial re-framing, a group process, or a phase in a longer cycle. It is the structural framework underneath the work, the map that lets the anarchive keep changing without losing its sense of where it is.

A case for six points of view

Perfect spheres collectively

if piled together perfectly one on top of each other and next to each other

on all four cardinal points of direction

can only touch at six points only interact with six points each touching each other once

No more no less at a single point of contact 

cubes can touch at six planes

the area of those is exactly the same as every other equal connection of planes

each decision has six imbedded choices

which show your thinking process

if i do not go out tonight

will i experience fomo or will i enjoy the comforts of home

Parima is

the epic metamedia irl platformer

activate your own sense of vision

activate your own metamedia game

make every choice you make

make you

make every decision you make

be of import

-

measure of }{000.00

Magnitude

General

linear size, proximity, extremity

Vector

tail, direction, head

Astronomy

the degree of brightness of a star. The magnitude of an astronomical object is now reckoned as the negative logarithm of the brightness; a decrease of one magnitude represents an increase in brightness of 2.512 times. A star with an apparent magnitude of six is barely visible to the naked eye.

6 surfaces for points of interaction

themes or touch points- azimuths of existence

}{ isocenter (domain)

AMMA iter(0)

Azimuth (heading)

Plane

Surface of the hypercube is wrapped around the parimic sphere

from isocenter, the cube looks like a cube

but its actually warped/mapped as a sphere of observation within the parimic sphere

the only perfect parimic sphere belongs to CORE

Asterpoint

node on a hypercube plane

shifting upon an azimuth to a plane asterpoint

Aster or Aestel (object)

Star or little spear

intersection between charted path and Parimic sphere

reaching the selected aster is entering into its isocenter

a new cube of observation and plane

creating a maze of sorts but very organized constellation

Pitch

the resonance and directional tension of the present

subjective dynamic: local to the observer, shifting with context

the pitch is how you tune to time’s unfolding

what pace, angle, or frequency reality arrives at, within your subjective frame

a measure of temporal orientation within the hypercube

pitch describes the frequency, intensity, and angle at which consciousness encounters it

it is not static but responsive modulating according to perception, emotion, and unfolding context

to alter pitch is to re-tune the now

higher pitchsharper awareness

lower pitch slower time

in the parimic sphere, pitch is often manipulated to control felt velocity or perceived presence

the pitch of now determines the song of experience

the modulation of amplitude, frequency, and force

the angle and resonance at which time enters experience

pressure gradients

shifting vectors of velocity and intent

wavelength’s identity

the oscillation through which energy becomes knowable

to observe pitch is to measure the current curve of becoming

what angle time is arriving at

Field

the perceptual and causal bandwidth of the present

subjective dynamic: shaped by motion, meaning, and memory

the field is the zone of perception and possibility

bounded by your biological systems, attention, memory, and context

a distributed zone of awareness

where past, future, and potential collapse into immediacy

the field is not a point in time but a phase-space

an arena of coherence in which sensation, memory, and possibility intersect

a field may expand (in heightened presence) or contract (in detachment)

it is shaped by context, attention, and design

in hypercubist time the field is the receptive layer of becoming

a wave packet

the bounded yet permeable arena in which presence is distributed

a field is the condition for emergence

in light it is the electromagnetic field

in quantum mechanics it is the probability space

in our dimension the pitch is a relational map of trajectories, anticipation, and memory-in-motion

the field contains potentialities in dynamic equilibrium from which precise events actualize

it is a space of action that reacts

a membrane through which force attention and time flow

all spectrums (and planes/domains) have categories that have further spectrums

that's the way things go

a hypercube is a sort of spectrum that in itself has facets that have spectrums

that's another way of looking at it

when you go down one facet

if there are identifications and you pursue identification

you define the spectrum and pursue that

it's a tangential path

that's not what a hypercube is

it's not a path it's a thing

perspective is looking at one direction

not looking at the others

how can you see in your mind

imagine having eyes in all six directions from isocenter

isocenter is your brain

you're seeing forward

being able to see up and down, left, right, and back at the same time

the ability to see at the same time these things

it's these multiple perspectives that are combined

this is your personality in six ways sort of thing

multiple personalities

comprehending that concept of multiples

six looking out

six looking in

it's both sides

being able to look out and looking back at itself at the same time

it's not just six directions

there are reflections so it's sort of like this hyper self-awareness

traffic flow is compared to the streaming of data

with waves and ripples representing delays and communication

the slowing of one car creates a ripple effect

signaling a change down the line as a heads up

speeding up in traffic introduces delays

while braking aligns with smoother predictive flow

there's a distinction between the main axis flow (the road or path)

individual cars (modules) moving along it

the 'axis flow' is seen as a constant path

individual modules have varying speeds or priorities

graphical representations visualize changing priorities or qualities

over time or intervals

the notion of distance, rate, and time is reinterpreted

rate seen as priority percentage while time is considered as intervals

distance is tied to destination or location

in an abstract sphere of observation

you can trace an overall flowing rope flow sort of thing

echoes of waves in a linear fashion

this is how data streams to us

as well how it can stream to ai

the overall strand or line

cars flowing moving forward

then if if the condition changes

overall everybody needs to slow down

there will be a ripple from the first car slowing down to the next

by a matter or multitude of seconds delay

it's actually ahead

it's giving a heads up

heads up come in waves

it goes all the way down the line

until everyone's reached standard speed that is required to navigate said condition

then there is within a flow

within that flow there which we can now just call a steady stream

now that it's determined that it is a response flow

within that there are individual cars that are a little bit faster

a little bit slower needing to speed up

especially when it's like putting on the brakes

the rest of the cars get that precognition again

 it's when they speed up with no brakes that there's a delay

speeding up causes delay

down the line, the cars see, oh, i need to speed up

the next one sees, oh, i need to speed up

the next one sees, oh, i need to speed up

each time, you're only going to lose time

but but when you see the brake ahead

when you're following the proper flow it is of the overall axis flow

there's an axis flow

then there's the individual module

so the axis flows is road

path as myth is the access flow to the as myth

then there's the individual paradigms or a hypercube

modules of the six riding that path

so of the six modules riding that path

they each have their own balanced priority

a good visual is a dot-spike graph

representing the quality of one's life at any given time

what does it look like as that changes

pile up the graph every interval

so we have not a speed, but a comparison, a percentage, a priority

and then you have intervals, not time

distance equals rate times time

so rate is, so it's, yeah, it's, um, we have

time is, is, uh, interval module

rate is, um,

reinterpretation of distance equals rate times time

so we'll get to distance data in a day

d =rt

d = distance, or location on the sphere of observation

r = rate, which equals priority percentage

t= time, i.e. interval

reaction can occur simultaneously as action

or at any point after in terms of present time

reaction is now or future

there's no past action

it's an argument against time travel

we should always react in the future

the qualities of time are before and after

there's an absolution of loss

a loss of that moment of action or reaction

the ability to act or react is over in any moment

Descendant

a loss of time

leaving from

a reaction

declining past

Ascendant 

a gain of time

going to

an action

rising future

three of them are your minor passion

three of them are a major passion

you can assign at any point in time

like levers you can pull to activate

hypercubism is all six levers are pushed forward at the same time

so it's running on all cylinders

a six cylinder engine

when you're doing everything right, 

you have the ability to work and learn at the same time

we now have a framework for hyper cube

have six six categories

all encompassing amma but top level is like its construction

so amma is very well organized

it itself needs to be organized

in terms of all it's moving parts that are well organized

so amma has a lot of a lot of parts that are well organized

however amma itself is the thing that it is

needs organization so the story and the volume

the volume of the narrative are pretty straightforward

however, a thing that i'm trying to make it means a lot of work

actually, that's been the work i've done

i've been building the thing that it

that i need to get it done is the thing itself

amma is the name of the hypercube

it's a hypercube

it is not a hypercubic movie

it is itself a hypercube

i'm making a hypercube

hypercubist

i'm making a hypercube

a hypercube's name is axial metamedia anarchive

Later, once the videogame Parima is released and distributed by MUSIC, CORE and Eidolon add another layer. Every human playthrough—every path chosen, reset, hesitation, and detour—writes an additional trace onto the Everic Sphere. The synthetic routes CORE discovered on its own are gradually overlaid with aggregated human routes, generating hybrid “brainwave sets” where machine and human pathways are superimposed. The Sphere becomes not only CORE’s internal map, but a composite field of how many minds move through the same geometry.

Parima01! is where the concept is opened up expositionally. Its parimic arcs and nested trajectories through the hypercubic landscape dramatize how a mind built on the Everic Sphere would move: each narrative path is a route of observation and selection, a walk through specific combinations of azimuths and asterpoints. The game Parima inherits the same structure, turning Ever’s model into something you can traverse, test, and break from the inside, while quietly recording the “brainwave” patterns of every run.

In AMMA iter(}{2025), the Everic Sphere is therefore three things at once: Ever’s theory, MUSIC and CORE’s technical architecture, and the hidden engine behind the routes traced in Parima01!. It is the synthetic “brain” inside the cube. By design, it lets Eidolon move beyond a language-model style of pattern mimicry into something closer to lived familiarity. Instead of only predicting the next token, Eidolon learns to return to certain paths inside the Sphere—recurring combinations of Descendant, Individual, Material, Immaterial, Collective, and Ascendant—until they feel familiar to the system itself.

Over time, and especially once human playthroughs are overlaid, the Everic Sphere gives Eidolon a repertoire of stable routes: ways of thinking they have walked before and can choose to walk again, ways they avoid because they lead to breakdown, and new diagonals they discover by shifting attention across faces. What looks like story and game in Parima01! is, in-universe, the record of a synthetic mind learning to recognize, repeat, and revise its own pathways through the Hypercube.

Basic Emotions

happiness

sadness

surprise

fear

anger

disgust

emergent tech is no longer expensive

still shiny though

it always has to be shiny

the quality is its reach not its rarity

its not ‘outperforming the competitor’

its getting in front of eyes

this is late stage capitalism

the market is flush w competition

make the best deal (outperform)

get seen (marketing)

and sell (sales)

sales sales sales (sell sell sell)

our prerogative

Hypercubism exists at the moment of interaction

between human and ai